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Kesenian Gambang sebagai Identitas Etnis Tionghoa di Kampung Pondok Kota Padang

机译:木琴艺术作为甘榜邦都哥打巴东的中国民族认同

摘要

Gambang art is one art form that is not born of a tradition of Minangkabau society. Gambang arts present for the blend with a variety of cultures outside the Minangkabau tradition, namely China. Art is art Gambang at first entertainer by most people of Chinese descent or called ethnic Chinese in the city of Padang. In accordance with the thesis title Gambang Performance Art As A Media Interaction In Chinese Ethnic Village Cottage In Tokyo City Chinatown, in this thesis discussed about the culture that influence the arts and the Gambang symbols and forms of communication such as what was observed in the arts. Performing Arts Gambang also be used as a medium of social interaction for the community of Kampung Pondok. Social interaction in the form of cooperation, competition, conflict, and accommodation. As a media arts studies Gambang symbolic and non-symbolic interaction is also contained in the show. Art Gambang also be used as a medium of interpersonal communication for the public to lodge village thought processes spawned ideas in creativity, another case with interpersonal communication is communication between the individual and the individual, and group communication, as well as intercultural communication medium. Furthermore, to state how the shape and analysis of art Gambang music in Kampung Pondok author uses a variety of methods in uncovering, analyzing the data in accordance with the procedures and processing techniques. Qualitative and quantitative methods of analysis used and transriptif music assisted with interviews from various parties who are competent in the Gambang Art is expected to explain how the form and function as a medium of interaction Gambang performances in detail. using the discipline of ethnomusicology as the study of the major theories, the approach also uses anthropology and sociology as the supporting theory. The theory used is the theory of functions, diffusion, acculturation and musical analysis. After doing research, it can be explained the findings of this thesis. The first occurrence of interactions in art performances Gambang itself, ranging from shape and function as communication in art performances Gambang to the analysis of the style of music.
机译:甘邦艺术是一种并非源自Minangkabau社会传统的艺术形式。甘邦(Gambang)艺术旨在将Minangkabau传统以外的多种文化(即中国)融合在一起。在巴东市,大多数华裔或称为华裔的人首先将艺廊艺术当做艺人。根据题为“在东京唐人街中国民族村舍中进行媒体互动的甘榜行为艺术”的论文,本文讨论了影响艺术的文化以及甘榜的符号和交流形式,例如在艺术中观察到的东西。表演艺术甘榜也被用作Kampung Pondok社区的社交互动媒介。合作,竞争,冲突和和解形式的社会互动。作为媒体艺术研究,该节目还包含Gambang的象征性和非象征性互动。 Art Gambang也可以用作人际交流的媒介,让公众提出乡村思想过程中产生的创造力的思想,人际交流的另一种情况是个人与个人之间的交流,群体交流以及跨文化交流媒介。此外,要说明Kampung Pondok作者的Gambang音乐艺术的形状和分析如何使用各种方法来发现,分析数据,并按照程序和处理技术进行分析。使用定性和定量的分析方法以及转录音乐,辅以擅长Gambang艺术的各方面人士的访谈,有望详细解释Gambang表演的互动形式和功能。该方法以民族音乐学学科为主要理论研究对象,同时以人类学和社会学为基础。使用的理论是功能,扩散,适应和音乐分析的理论。经过研究,可以解释本论文的发现。艺术表演Gambang本身首次发生互动,从形状和功能(作为艺术表演Gambang中的交流)到音乐风格的分析。

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